The Duhks

The most vital acoustic music being made today acknowledges its predecessors and lives in the here and now. Grammy nominees The Duhks, a band of five skilled, high-energy, tattooed twentysomethings from Winnipeg, Manitoba, has been riveting audiences and winning staunch fans around the world with their blend of soul, gospel, North American folk, Brazilian samba, old-time country string-band music zydeco and Irish dance music.

"The inventive Canadians in The Duhks are widely beloved for their smooth blend of traditional roots music, bluegrass and soul, which they inject with well-placed Afro-Cuban and Celtic influences." -NPR
Visit The Duhks's Website

"Canada's premier neo-tradsters romp from world-beat to blues, urban-pop to old-timey, with wild-eyed invention, haunting traditionalism, and spine-rattling groove. Who says the Frozen North can't sizzle, eh?” -The Boston Globe

The most vital acoustic music being made today acknowledges its predecessors and lives in the here and now. The Duhks, a band of five skilled, high-energy, tattooed twentysomethings from Winnipeg, Manitoba, has been riveting audiences and winning staunch fans around the world with just that kind of music.
 
Since the release of its self-titled album in 2005, the consequent re-release of its Canadian debut (Your Daughters and Your Sons) to their most recent release (Fast Paced World), the band has won admirers as diverse as David Crosby, Dolly Parton and Doc Watson. This isn't surprising, given its blend of soul, gospel, North American folk, Brazilian samba, old-time country string-band music, zydeco and Irish dance music, and the attack it brings to these interwoven acoustic styles. The Duhks' unique sound has also earned the band a Grammy nomination, one Juno Award, two additional Juno nominations, two Folk Alliance awards and an Americana Music Association nomination for Best Emerging Artists.
 
Fast Paced World, Sugar Hill One Sheet
 
The Winnipeg, Manitoba-based Duhks have always gravitated towards traditional roots-based song structures, but they've never stopped evolving since their inception five years ago. Due in part to a collective musical worldview that knows no boundaries, that evolution led the band to their latest offering Fast-Paced World, the first Duhks record to feature prodigies Sarah and Christian Dugas (replacing vocalist Jessee Havey and percussionist Scott Senior respectively). It's an album that reflects the quintet's newfound confidence, with Sarah bringing five original songs to the band's encyclopedic collection of originals and covers both old and new.
 
The French-Canadian born Dugas siblings have been immersed in music their whole lives, thanks in part to their musician parents. "We had a family band that toured across Canada when I was 7 and Christian was 9," remembers Sarah. "My father had a recording studio in the house, so I grew up hearing a variety of musicians playing everything from rap to rock to world beat. I grew up in a fun and creative environment."
 
Dugas' emergence as a songwriter has clearly contributed to the group's progression — the other members are fiddler Tania Elizabeth, guitarist Jordan McConnell and founder/banjo player Leonard Podolak — from the jaunty pop of "You Don't See it" to the jazz-waltz of "This Fall," the Duhks' enthusiastic fan base has embraced the changes. "The reaction has been really positive," says Dugas. "We've been able to keep the old fans and gotten some new ones as well."
 
“There's a more liberal attitude in the band when it comes to songwriting approaches,” admits Podolak. That attitude has even extended to drummer Christian's use of a full kit, in contrast to the band's previous use of just percussion. "My musical tastes have broadened immensely since we first started,” Podolak adds. “I think we've evolved musically, while maintaining our roots, but everybody in the band listens to so many different things, it was bound to happen.”
 
It's that kind of musical DNA that makes the band's spot-on fusion of traditional bluegrass, folk rock, Afro-Cuban jazz and soul so accessible and yet so hard to pigeonhole. It's also earned them a Grammy Award nomination in the Best Country Vocal Performance category as well as a Juno award in their native Canada.
                                                                                                                      
Accolades aside, the band doesn't see any reason to pull their punches lyrically, as Dugas laments on the funky title track, "We've forgotten what's sacred in this fast-paced world." "It's a song that's essentially about over-consumption," remarks Podolak. "We've all grown up with an outlook where's there's enough for everyone without destroying the earth."
 
Environmental issues are a passion for the band, inspiring them to launch The Duhks Sustainability Project (www.greenduhks.com) in October 2007. Spearheaded by Tania Elizabeth, the band's goal is to "tour on as sustainable a basis as possible; fueling our vehicle with Biodiesel, supporting local organic farmers wherever we go, wearing sustainable eco-conscious clothing, using earth-friendly shampoos, soaps and cosmetics and offsetting remaining CO2 emissions with carbon credits." 
 
"As a band, it's something we feel very strongly about," says Podolak. "We just want to reduce our carbon footprint as much as humanly possible."
 
Fast Paced World was produced by the Nashville-based Jay Joyce (Patty Griffin, John Hiatt), who joins an impressive set of producers (Béla Fleck, Tim O'Brien) before him. "Jay's basement studio was like something out of the Star Trek Enterprise," laughs Podolak. Despite trying to quit smoking at the time (4 nicotine patches at once!), Joyce was "very open to our ideas and very easy to work with. I also think he learned as much from us as we did from him about combining the acoustic and electric elements of our songs in a studio setting," continues Podolak.
 
As the band continues their own musical evolution, Fast-Paced World illustrates just how far the Duhks have come—and just how far they're willing to go to challenge themselves artistically. Ultimately though, according to Leonard, the Duhks "just want to play music that speaks to everybody." Mission accomplished.

Raves and Reviews - The Duhks


Looking back to the first Cayamo

The Ironbath found his way back onto the Lido deck where The Duhks were performing under the warm Caribbean night sky. I first heard them a couple of years earlier at a festival and became hooked. This time they were playing without their band leader, Leonard Podolak – who had his passport stolen the previous week whilst in Scotland at Celtic Connections, and couldn’t get his US visa replaced in time. They also had a new vocalist, Sarah Dugas, who had recently replaced Jessee Harvey.

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The set was incredible, Sarah Dugas has a vocal that could carve a canyon from solid rock. There was no chance that we’d be lost in fog as we cruised through the Caribbean! The Ironbath found himself right in front of the stage lifted up by the beautiful music. The Duhks play a traditional tune called ‘Les Blues De Cadien’ and since Sarah had joined the band they’d started to merge it into Led Zepplin’s ‘Whole Lotta Love’. You wouldn’t have thought that a French Canadian fiddle tune would fit with a rock anthem, but both share a similar riff.

As Sarah was singing the chorus: “Gonna give you my love” at 8.1 on the Ricter scale, she was stood only a couple of metres from the Ironbath and was staring directly at him. May be it was the warm Caribbean breeze but he’d swear that he could feel her breath as she sung. Hairs stood up on the back of his neck, shivers cascaded up his spine and he fell in love with Sarah Dugas.

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The Duhks defy traditional roles of band membership

For the better part of the last decade, Winnipeg-based five-piece The Duhks enthusiastically combined touches of dozens of different folk forms, from Appalachian string-band strains to the humid rhythms of South America.

For the last several years, though, The Duhks have been in flux, as members have splintered into an array of side projects befitting such an artistically inclusive bunch. The Duhks have toured little and recorded less, using a fluid lineup to preserve their repertoire and spirit without constricting any of the members' schedules.

Founder and bandleader Leonard Podolak actually rejects the notion that a stable configuration is necessary. "We don't have to stick to such rigid rules," he says. "We're all folk musicians; we're all in the family and in the tribe."

In the past year, The Duhks welcomed their original singer and percussionist back to the fold for sporadic performances. As they prepare to play two North Carolina shows this weekend, they'll actually tap the talents of native Tar Heel Kellin Watson. At first glance, Watson's ties to the Canadian band might seem casual enough; the jazzy singer-songwriter from the Asheville area landed a pair of tunes on the popular Canadian TV series Degrassi: The Next Generation several years ago. But her connection runs much deeper.

"When The Duhks first came down to North Carolina, her folks took us under their wing and let us stay there a bunch of times when we had no money," Podolak explains. "In that time, we got to know her and became very good pals, but we also worked on different recordings and projects with her."

When Watson takes the stage as The Duhks' temporary frontwoman, she will attempt to fill the separate shoes of the two lead singers the band has had during its decade-long run. After her 2007 departure, Jessee Havey handed vocal duties over to Sarah Dugas, who added a bit of Portuguese to the band's mix of English and French. She also provided a more aggressive, fiery approach at the stage's apron and recruited her brother Christian Dugas, whose powerful drum kit replaced the Latin hand percussion Scott Senior used to spice The Duhks' early pop-sheened folk.

Original fiddler Tania Elizabeth will also play this pair of Carolina gigs. She left the group in 2010 to work more with the moody roots songwriter Mary Gauthier, replaced on rare Duhks dates by a revolving trio of fiddle all-stars, including newgrass sideman Casey Driessen.

Elizabeth hasn't been the only one to pursue new projects: The Dugas siblings launched a successful roots 'n' soul outfit, while the luthier business of guitarist Jordan McConnell picked up momentum, counting Seth Avett among its customers. Meanwhile, Podolak formed Dry Bones, an unlikely trio with a pair of fellow Winnipeg artists, and a duo with an old-time fiddler. Podolak also headed to the United Kingdom for six shows with the Cecil Sharp Project, a collective commissioned to compose a body of work informed by Sharp's work in Appalachia.

"We had been touring for so long with [The Duhks] that it created a lot of opportunities for us that I don't think we really knew were out there," Podolak reasons. "We're just discovering that."

The members have been so busy that, when The Duhks played a handful of shows last spring and summer, they did so with two different lineups: The Dugas siblings maintained their roles when possible, but Havey and Senior filled in on the remaining dates. While Havey had initially planned to be at these two North Carolina dates, she accepted a gig as musician and puppeteer for a three-month run of a production of The Cat Came Back.

The group considered asking folk stars Abigail Washburn and Ruth Moody, as well as Aoife O'Donovan, the Crooked Still singer who served briefly as The Duhks' frontwoman in 2007. They weren't available, but Watson was. She, Havey and Dugas "all have this soul, pop and folk in their lives," says Podolak. That allows each singer to align with the band's truss of modern influences and traditional folk.

"It was sort of an obvious choice," Podolak says. "Kellin has that raw, funky thing that influences her songwriting, but she's also from western North Carolina and related to Doc Watson, so she has that side as well."

Despite the increasing time constraints imposed by the members' extracurricular undertakings, Podolak points to the past—albums, tours, Grammy and JUNO nods—as reason enough to stick together, in one form or another: "The Duhks are a great thing and we love it. We all invested so much into it for so long, so why kill it if it isn't necessary?"

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Spencer Griffith

The Duhks bring their juicy, rootsy sound to Infinity Saturday

One of Canada’s best roots bands, The Duhks, makes one of its increasingly rare appearances in these parts on Saturday night when it drops in for a show at Infinity Hall.

Like their upstate New York friends, Donna the Buffalo, The Duhks blend a variety of influences into one juicy, rootsy fusion.

In The Duhks’ case, that includes, soul, folk, gospel and old time music, with a little zydeco, Brazilian samba, Afro-Cuban and Irish influence sprinkled in for spice.

Hailing from Winnipeg, The Duhks have been together for nearly a decade now, but rarely get closer than a state or so away, having played in the past at festivals such as Grey Fox Bluegrass Festival and the Finger Lakes Grassroots Festival, both in upstate New York.

Over the past year or so, they’ve been even harder to find, playing only a few shows while members work on all sorts of side projects and other interests.

The band has seen some changes in recent years, with singer Sarah Dugas replacing original lead singer Jessee Havey in March 2007, her brother, Christian Dugas, replacing percussionist Scott Senior in November 2007 and fiddler Casey Driessen replacing Tania Elizabeth in January of 2010.

They join guitarist Jordan McConnell and banjo player Leonard Podolak.

But through the changes, the music has continued to flourish even as it slowly evolves.

Sarah Dugas has said that The Duhks’ fans’ reaction to the changes generally “has been really positive. We’ve been able to keep the old fans and gotten some new ones.”

Podolak, one of The Duhks’ founders, gave a good reason why the band’s music has slowly morphed over the years.

“My musical tastes have broadened immensely since we first started,” he has said. “I think we’ve evolved musically, while maintaining our roots. But everybody in the band listens to so many different things, it was bound to happen.”

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Mark Zaretsky

Getting the Duhks in a row

Winnipeg, Canada's, popular folk combo the Duhks may not fly as often as they once did. But when they do get off the ground, they soar.

In the past year, the Duhks have cut back on touring. The reduced schedule was made possible, in part, because of the huge following the band won during its first year of near-constant performing at festivals, clubs and bars.

"The whole thing of playing in rock bars in towns where we're trying to develop a market is over with," says Duhks founding member and banjoist Leonard Podolak, who will perform with the Duhks and the spinoff string band trio, Turtle Duhks, at the Grassroots Festival at Shakori Hills.

"From the start we've always considered ourselves a folk music band. ... (W)e play music that we like to play from the heart, and we're no longer concerned with all the things that are expected of a music group to try to get famous - to do things because it's a good opportunity. It actually has to be a good opportunity, not a prospective opportunity."

Founded in 2001, the Duhks ran hard chasing their dreams of fortune and fame. On the road 10 months a year and playing up to 265 gigs, their efforts paid off with a Grammy nomination, an international following, and a reputation for high energy, entertaining stage shows featuring an eclectic repertoire of original and traditional tunes, drawn from old-time, Celtic, Cape Breton and other traditions.

The Duhks rose from the ashes of Podolak's earlier band, Scruj MacDuhk. Scruj developed a solid fan base in Canada, even without the assistance of a big-time record label. When Scruj dissolved, Podolak, son of the prestigious Winnipeg Folk Festival's founder Mitch Podolak, invited friends from the Winnipeg music community to join with him in his new adventure, the Duhks. That lineup, featuring vocalist Jessica Havey and fiddler Tania Elizabeth, enjoyed almost instant acclaim.

"(Scruj) went an amazing distance considering what went into it. It was enough to make me go, 'I can't believe I have to start over again.' I called up a bunch of people I'd met - I knew Jessee Havey her whole life because her mom was on the board and a volunteer at the Winnipeg Folk Festival. Jordan McConnell did some touring with Scruj for six months. He was this hot young guitar-playing firebrand who I loved hanging out with; I just knew he was the dude to do this with."

The Duhks' self-released 2002 debut CD, "Your Daughters and Your Sons," was nominated for a JUNO award, Canada's version of the Grammy. In 2007, "Heaven's My Home," a single from their Sugar Hill Records CD, "Migrations," was nominated for a Grammy Award for Best Country Performance by a Duo or Group with Vocal.

But music business success does not always result in stability. In 2007, Havey and percussionist Scott Senior left the band; Elizabeth resigned last year. Podolak says each member occasionally performs with the band, when schedules permit.

The lineup the Duhks bring with them to Shakori Hills includes Podolak, founding member and guitarist McConnell, the sibling duo of Sarah and Christian Dugas (vocals and percussion, respectively).

Asheville's talented Duncan Wickel will fiddle.

"The personnel changes changed the vibe of the music," Podolak says. "It brought in a whole bunch of new sonic areas that we weren't able to get into before. It brought influences we didn't have before."

With the new regimen of 20 or so annual gigs, each member of the Duhks has been able to pursue other interests. The freedom, says Podolak, has brought renewed energy and focus to the band.

"With the band taking more time off and leaving more room, we actually get to be a lot more fulfilled playing music and getting right with who we are as artists and performers. Instead of it just being this thing where we're trying to sell something, we're actually able to make a living as creative entities."

Podolak invests his energy in several projects, including soon-to-be-launched old-timey trio Dry Bones. McConnell has developed a reputation as a first-rate luthier, whose guitars are played by several artists, including Seth Avett of the Avett Brothers. The Dugas siblings record and tour as a duo.

"We've always been about putting on a show for the audience," says Podolak. "And making a high-energy, uplifting experience. I think the thing about our group is that we've never been the band to only hang out backstage. We've always been a part of our surroundings, I think. That's probably carried as much weight, reputation-wise, as our music has. We've felt really, really lucky to get the kind of respect and props we've gotten.

"When we sit down to have a jam before the first gig, just to shake the dust off, we're gonna find that there really isn't much dust there. It's gonna rock. There is definitely a chemistry that we have, and that's why we're not willing to let it go."

Jack Bernhardt

Duhks to play four NC dates on upcoming tour

The Duhks haven't spent much time together as a band in recent years, as they've been too busy.

 

Individually talented, members of the group have been involved in too many side projects to get the band together for long tours or recording.

The Winnipeg, Manitoba-based unit that infuses bluegrass, folk rock and jazz for its sound has finally gotten a tour together and, as founder and banjo player Leonard Podolak said, is “coming back to the cradle of the Duhks.”

The Duhks (pronounced “ducks”) will play four North Carolina dates during its eight gig tour. They play at 7:30 p.m. Friday at the Pisgah Brewing Company in Black Mountain with a $15 cover. The show, which was originally scheduled for outside, will now be inside with the Dehlia Low opening.

“We're going to put on a really high-energy danceable show and it's going to be a fun time,” Podolak said.

A lot of the fun will be had by the band's members, as they haven't really played together in a while. They haven't gone a year without doing a show together, but they “haven't done get-in-the-van-and-go in a long time,” he said.

Podolak put the group together almost 10 years ago and accolades were quickly dropped on them. Albums were produced by heavyweight musicians like Bela Fleck and Tim O'Brien and Nashville producer Jay Joyce (John Hiatt, Emmylou Harris). In 2007, they earned a Grammy nomination and a Juno Award.

 

 

“As the dust settled, we all found out because of the work we've been doing that there were tons of opportunities out there for us,” Podolak said. “The last year has been really exciting for each of us on an individual level.

“So much of our life experiences are defined by what's gone on with the Duhks and the journey it has taken us on.”

Siblings Sarah (vocals) and Christian Dugas (percussionist) have signed on to Zac Brown's Southern Ground label and have released an album.

Guitarist Jordan McConnell doesn't just play the instrument, he also builds them and his reputation has grown. Seth Avett, of the Avett Brothers, played one his guitars on the Grammys and has purchased a couple more from McConnell.

Podolak recently took part in the Cecil Sharp Project in the United Kingdom and is working on an old-time album in Ireland.

“The break has let us spread our wings a little bit and explore what else is going on out there,” Podolak said. “We're going to come back together and see what happens.”

Asheville native Duncan Wickel, a recent Berklee School of Music graduate, plays violin with the group, replacing Tania Elizabeth.

“He's someone you're going to hear from a lot in the future. He's a monster,” Podolak said. “Super young and super excited and he brings that young energy and vibe to us.”

With the excitement of getting the group back together to tour, Podolak is excited to see what will come from it.

Next year will mark The Duhks' 10th anniversary and Podolak wants to do a project to commemorate the milestone.

“Who knows what kind of new ideas people are going to bring,” Podolak said. “I know I have some new ideas and I'm sure everyone else does, too. We want to gear something up for the 10th anniversary.”

 

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Jason Gilmer

Shakori Hills featured artist

The Shakori Hills GrassRoots Festival of Music & Dance will hold its annual fall festival from Thursday, October 6 to Sunday, October 9, 2011 in Silk Hope, North Carolina. The festival will feature more than 50 bands and performers on two big outdoor stages, a large Dance Tent, and an intimate Cabaret Tent.

Featured acts include: Béla Fleck & The Flecktones, Sharon Jones & The Dap-Kings, Donna the Buffalo, Brett Dennen, Sidi Touré, The Duhks, Rosie Ledet, Nawal, Preston Frank, Emmit-Nershi Band, Eilen Jewell, Toubab Krewe, Bearfoot, The Old Ceremony, Locos Por Juana, and Hobex.

 

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World Music Central

Top CD Picks of 2008

"Canada's premier neo-tradsters romp from world-beat to blues, urban-pop to old-timey, with wild-eyed invention, haunting traditionalism, and spine-rattling groove. Who says the Frozen North can't sizzle, eh?"

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The Boston Globe Scott Alarik

The Duhks create own brand of ecological world-view music

They've been hailed as innovators, blending folk, punk and world music for an ethnic stew with ingredients from around the globe. But the lead song "Mighty Storm," on The Duhks latest release, Fast Paced World, has some wondering if the band possesses prophetic powers as well. The song recounts the deadliest hurricane in American history making landfall in Galveston in 1900. In the wake of the devastation hurricane Ike recently left on that same city, the lyrics are chilling -- "The trumpets gave them warning/ you'd better leave this place/ but no one thought of leaving/ till death stared them in the face."

Duhks fiddler Tania Elizabeth says although the band didn't think the song would end up being as prophetic as it turned out to be when they recorded it in 2007, they are using the song's popularity to steer people toward making donations to the Red Cross or helping Ike victims.

"We're encouraging people that have heard it on the radio to go to their Web site, www.redcross.org,"

Elizabeth says. "We've got a blog about it [on the www.duhks.com site], encouraging people if they're inspired to go and help in any they can."
Activism has been a part of the band's agenda since its inception five years ago. "We're just trying to change the way we do what we do," Elizabeth says, "whether it's filling up with biodiesel or buying organic food and requesting organic food on our rider; recycling using reusable water bottles or the fact that we packaged our albums with recyclable paper and soy-based ink; or the T-shirts that we sell that are all sweatshop-free and some are organic."

The band endorses eco-consciousness, including the sale of BoGo lights (the initials stand for Buy One, Give One) flashlights rechargeable by solar power. The Web site www.bogolight.com lists ongoing projects, and you can direct the path of your donated flashlight to multiple locations all over the world. "We don't make any money off of them, but we sell the lights in our stores to encourage people," Elizabeth says. "Every little bit makes a difference."

When they're not busy saving the world, the band gets down with a heavy-bottomed worldbeat sound that's more intense than on previous outings. The addition of two new band members -- soul-inspired vocalist Sarah Dugas, who replaces former lead singer Jessee Havey, and replacing former percussionist Scott Senior with Dugas' drummer brother Christian, who works with a drum kit -- have given The Duhks a bigger sonic footprint. They had some electronic help as well from new producer Jay Joyce, who beefed up their bass-less sound buy using a polyphonic octave generator to enhance Jordan McConnell's guitar work giving him a thicker, chunkier sound.

The result sounds like something from the Staples Singers' catalogue on the title cut, with Dugas chuffing along like Mavis in her sexy gospel mode. On "Mighty Storm," McConnell chimes along like Pops Staples, enhancing Dugas' Mavis channeling.
But The Duhks aren't content to stay with any one genre. "Sleepin' Is All I Want To Do" sounds like Billie Holiday frontin' the Hot Club of France. "New Rigged Ship" is an old time string band medley, and the band recreates the fast-paced Brazilian samba sound of Sergio Mendes '88 hit "Magalenha."

Some claim to hear some punk going on as well, but it's well-disguised. "Jordan [guitarist McConnell] grew up listing to punk music and he incorporates it in," Elizabeth says, "but it's a fine blend of punk and traditional Irish music, so it's pretty indistinguishable unless you know exactly what to look for. If we're rehearsing or doing the sound check you hear all sorts of different riffs by the boys fooling around, metal riffs, things that I knew nothing about before I joined this band."

Growing up in Canada, Elizabeth's background included classical but also encompassed a variety of Canadian fiddle styles as well as Celtic music and jazz. Despite her exposure to a variety of genres, Elizabeth is hesitant to single out one in particular. "I really like it when people transcend their instruments to where you really feel like you're getting a real glimpse into someone's personality through their music," the fiddler says. "I just like people who do their job well. I appreciate that a lot."

The Duhks play the Neighborhood Theatre on Oct. 18 at 8 p.m. Tickets are $15. The Hackensaw Boys open.

Grant Britt

The Duhks, Recorded Live In Concert

September 12, 2008 from WXPN - The inventive Canadians in The Duhks are widely beloved for their smooth blend of traditional roots music, bluegrass and soul, which they inject with well-placed Afro-Cuban and Celtic influences. 
 
The recent addition of siblings Sarah and Christian Dugas has rejuvenated The Duhks, giving the band's new album (Fast Paced World) a jolt of creative energy. And, for those who like their roots music with a dose of social responsibility, the group is heavily involved in an environmental mission called The Duhks Sustainability Project.

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NPR

Haute Musique

Sarah Dugas opens The Duhks' rafter-splinting set with a deep expansive vocal that quickly shifts into high gear (and high range). Her voice wraps around the meter-bending rhythmic groove of the drummer (her brother Christian Dugas) and finds melody in the lush harmonies of the fiddle (Tania Elizabeth), guitar (Jordan McConnell) and banjo (founder Leonard Podolak). The intricacies of the music, and there are many, in the hands of lesser-talented musicians could easily turn overwrought and heavy-handed. The Duhks manage to make these intricacies sound easy and what's more completely spontaneous. A clear example of this was in their second song, a factory-inspired soundscape reminiscent of Bjork's Dancer in the Dark. The song reached its climax when it broke free from its' "mechanical" underpinnings into what can only be described as a mad-Burlesque with heart--a modern Piaf moment thanks to Dugas. The band then switches metaphorical gears into an instrumental Irish sea shanty. This takes The Duhks' back to their roots, pure folk and bluegrass, and really more in line with what you experience from listening to their albums. But it's live music where the Duhks excel and in this live setting a simple folk tune magically morphs into improvisational afro-carribean rhythms combined with vocalizations more expected on the Ganges River than the Bayou.

 
By the time they hit stride with an all-out zydeco beat,"Kakalaka," most jaded New Yorkers in the audience were out of their chairs (and their dinners) dancing in Joe's Pub's super-serious-artsy aisles. The set ended with a the title track of The Duhks new album, Fast Paced World. Dugas bemoans a world full of cookie-cutter houses, singing, "We don't have to think anymore." If by chance you listen to the radio these days, they've hit the nail on the head when it comes to music. Latter-day pop acts are so smartly packaged that there is very little soul left. The Duhks have soul in spades and a heart beat that pulses more true than an Ibiza night club. A night spent with The Duhks is summed up best by their own encore, "HALLELUJAH!" Hallelujah indeed.

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Joshua Williams

Fast Paced World Album Review

The loss of two integral members is typically enough to spell doom for a band, but the Duhks manage to come away from just such a loss without too much internal bleeding on Fast Paced World, their first album following the departure of drummer Scott Senior and frontwoman Jessica Havey. With siblings Sarah and Christian Dugas filling those vacancies, the progressive roots band have produced another diverse set of songs that incorporate their bluegrass, Celtic and rock influences into a unique style that places them at the frontlines of modern acoustic music.

While Havey—with her gritty, blues inflections—is a real force of nature and a hard act to follow, Sarah Dugas is quite impressive in her own right, and her deliveries fit within the band's aesthetic. On cuts like opener "Mighty Storm," "Sleeping Is All I Wanna Do" and the French-language "Toujours Vouloir," her powerful performances land somewhere between Kelly Clarkson and the Gossip's Beth Ditto—hardly bad company to keep, in that she balances pop polish with a genuine soulfulness. Her brother's contributions aren't quite as seamless a fit: Their use of aggressive, driving percussion is something that has always distinguished the Duhks from their contemporaries on the roots scene, but Christian Dugas's drumming is placed near the foreground in the mix on "This Fall" and "You Don't See It," which detracts somewhat from the accomplished playing of returning members Jordan McConnell, Leonard Podolak and particularly fiddler Tania Elizabeth.

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Joanthan Keefe

New York Times Album Review

Just over a year ago this neo-bluegrass band from Winnipeg made a big adjustment to its lineup, bringing aboard a new lead singer, Sarah Dugas. She’s a powerhouse, and she has made herself at home, judging by “Fast Paced World” (Sugar Hill), the group’s fourth studio album, which was recorded in Nashville. Among the dozen tracks are four by Ms. Dugas and one jointly composed by Ms. Dugas and the band’s fiddler-mandolinist-keyboardist, Tania Elizabeth. The material roams freely and excitably: one original Scotch-Irish reel, by the banjoist Leonard Podolak, leads right into “Magalenha,” by the Brazilian pop eclectic Carlinhos Brown.

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Nate Chinen

The Duhks album review

The Duhks (pronounced "ducks") is an unusual name for a band. But, this is an unusual band. This fivesome from Winnipeg, Manitoba, defies classification. The band was the brainchild of banjoist Leonard Podolak, whose father Mitch founded the Winnipeg Folk Festival. Podolak compiled the band after the break-up of his previous band Scruj MacDuhk. Recruiting the best musicians, the Duhks formed: soul singer and lead vocalist Jessica Havey, Cuban-inflected percussionist Scott Senior, Canadian Scots-Metis fiddler Tania Elizabeth, and Celtic guitarist Jordan McConnell. The band plays a sometimes high-energy blend of Appalachian old-time string band, Irish fiddle tunes, and kick-ass rock/folk fusion. Other times they are playing delicate finger-picked traditional instrumentals.
 
The band is a magnet for good songs. Most of the songs on their debut are traditional or culled from other songwriters, including Paul Brady, Ruth Ungar, Sting, and Leonard Cohen. Many songs are seamlessly intertwined with original instrumentals.

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David Schultz-Folk & Acoustic Music Exchange

The Duhks, a Tough Band to Pigeonhole

The Duhks defy easy categorization. Fans and acquaintances have used phrases like "Blue Rodeo meets Celtic rock," "progressive soulgrass" and "Destiny's Child meets the Chieftains" to describe the Canadian band.

 
"I think what we really play is good music, music that we like," says Leonard Podolak, the clawhammer banjo player who put together the band from Winnipeg, Manitoba. "The music comes from all of us... you can't really describe it in a category."
Indeed, The Duhks (pronounced ducks) take Celtic, French Canadian and old-timey music and punch it up with shades of blues and soul and driving Afro-Cuban beats.

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Melissa Block-NPR

"Youth, originality, chops and soul all in one package..."

LA Weekly

Please check back soon for The Duhks's tour schedule.

Artist's Team


Label Info

The Duhks
Leonard Podolak
(204)417-3397
lenpodolak@hotmail.com
Website

Publicity Info

Leonard Podolak
The Duhks
(204)417-3397
lenpodolak@hotmail.com
Website


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