Good Vibrations is not your average youth dance ensemble; in fact it is not your average dance company at all. The company presents an incredibly unique performance, featuring cutting edge contemporary choreography and traditional rhythm tap as it was danced in its prime. Imagine Stomp, Riverdance, Vaudeville, Fred Astaire and Bring In Da Noise all on the same bill – that’s Good Vibrations! The style of percussive dances ranges from South African Gumboot, to sand dancing, to buck, to a salute to vaudeville, body percussion, jazz, and much more. The music ranges from Blind Boy Fuller to Brubeck to Mozart. This non-stop percussive dance review is a trip through time and into the future of this unique American art form.
The list of choreographers reads like a who’s who in the tap world including the legendary Savion Glover. The company has toured or collaborated with the Greensboro Symphony, Squirrel Nut Zippers, Mallarme Chamber Players (Mozart), the North Carolina Jazz Repertory Orchestra and many jazz musicians around the nation and world. Good Vibrations has toured internationally in Rio de Janeiro, Vienna, Berlin, Heidelberg and Helsinki and appears annually at the two largest tap festivals in the US, New York and Chicago.
“…premier youth tap ensemble in the world.” -Michael Horowitz, President of the Board Chicago Human Rhythm Project, 2000
Founded in 1983 by Gene Medler, Good Vibrations is a unique, non-profit company that represents all that is good about participation in the arts by young people. Selected by audition each season, these young ambassadors for our state have risen to an unprecedented level of performance skill that has been lauded around the nation and abroad. The company serves to:
-entertain and inform audiences about the universal nature of percussive dancing;
-preserve tap, an indigenous American dance form, and its cultural origins;
-embrace the percussive dance forms of other cultures;
-explore and support the cutting edge of contemporary choreography;
-and give company members the opportunity to perform and be recognized for their contribution to the quality of our lives.
Good Vibrations commissions choreography from across the nation and abroad. Contributions to the repertoire include works by Lane Alexander, Ira Bernstein, Brenda Bufalino, Michelle Dorrance, Savion Glover, James Green III, Josh Hilberman, Gene Medler, Michael Minery, Margaret Morrison, Jan and Eddie Owens, Zahi Patish and Danny Rachom, Ruth Pershing and John Dee Holeman, Dianne Walker, Sam Weber and Steve Zee.
The ensemble performs locally, nationally and internationally in venues ranging from retirement homes, schools and fairs to international festivals. Good Vibrations has been featured in a performance at Duke University with the Squirrel Nut Zippers and makes regular appearances at the Chicago Human Rhythm Project. Senior members of the company were part of the founding cast and touring company of Common Ground and have appeared in Tap In at the Town Hall Theater in New York City. Good Vibrations was featured in the PBS documentary Juba! Master of Tap and Percussive Dance. They have also appeared at the New York City Tap Festival, the St. Louis Tap Festival, The Hot Shoe Show (Vienna, Austria), Tap Encontro (Rio de Janeiro, Brazil), Feet Beat Tap Festival (Helsinki, Finland), the Internationales Steptanz-Festival (Berlin, Germany) and the Heidelberger Steptanz Festival (Heidelberg, Germany). During the fall of 2003, Good Vibrations toured North Carolina in Down Home with the Carolina Pops sponsored by Our State Magazine.
The same ensemble that received a standing ovation at the Town Hall Theater in New York City finds equal joy in performing for students in schools across North Carolina. Under the artistic direction of Gene Medler, the company’s members understand and accept their responsibility for preserving tap dance, and they strive to share their love of this American art form with all their audiences.
Raves and Reviews - Good Vibrations
Chicago quote |
"Two numbers by the North Carolina Youth Tap Ensemble were sophisticated and snappy, brief, brilliant and beguiling." |
| Sid Smith, Chicago Tribune |
Chicago Human Rhythm Project 2011 |
"The most conventional presentation came from five immensely talented, very young members of the North Carolina Youth Tap Ensemble, dancing to "Sing, Sing, Sing (With a Swing)." They were followed by older NCYTE dancers in a killer, skating, off-balance number choreographed by Jason Janas to "Do Your 'Ting," by Joseph Webb (himself a tapper)." |
| Zachary Whittenberg, Time Out Chicago |
North Carolina Youth Tap Ensemble is Live Performance at its Best |
...There is a warmth and familiarity between the performers and the audience that is unique to tap in the world of choreographed dance. Guest artist Jason Janas exemplified this when he stopped dancing to say “Hi Mom.” His solo with the live jazz band was exciting and suspenseful – his feet were flying, and he told the audience to “wait for it,” then continued to accelerate. He also talked to the band on stage while dancing, creating a sense of community between the musicians and audience.
The NCYTE dancers were also welcoming and expressive; the smiles grew throughout a dance so you knew they weren’t put on just for the performance. The dancers connect with each other and with the audience in a way not often seen in young performers. The genuine enthusiasm said that the audience was a welcome, but not necessary element.
NCYTE is consistent in its polished precision, yet graceful and natural in movement, as satisfying visually as it is rhythmically. You should watch for the next concert and go.
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| Denise Cerniglia, Triangle Arts and Entertainment |
"[Good Vibrations] delivered on all counts. The show pulsed with energy from start to finish...It was an evening that inspired even the grandmothers in the audience to shuffle, tap and stomp all the way home." |
| Ray Solley, Torrence Cultural Arts Center Foundation |
California Raves |
It was very inspirational to see peers the same age as our students excel the way they did at their art form. We appreciated the educational aspect of the performance and our students were mesmerized by the exceptional dancing of the North Carolina Youth Tap Ensemble." - Marion Buxton, Chaparral Middle School |
| Various |
North Carolina Youth Tap Ensemble at the Torrance Cultural Arts Center |
The North Carolina Youth Tap Ensemble comes to Torrance. One of the most acclaimed tap dance companies in America, their performances span the entire history of tap dancing, from the 19th century to vaudeville, jazz, and contemporary choreography by such artists as Savion Glover. |
| Goldstar Editorial Team |
Kids Turned Hoofers |
North Carolina Youth Tap Ensemble From cutting-edge contemporary tap choreography and body percussion to the percussive dance forms of indigenous Americans and other cultures, you’ll see it all when the North Carolina Youth Tap Ensemble hits the stage. This international touring company (with 35 members, ranging in age from 8 to 18) performs more than 40 times per year at tap festivals, schools and in concert halls. (But they never compete.) |
| Nina Amir |
Tap is the tie that binds this 'family' Ensemble's founder sees kids grow right along with their talents |
CHAPEL HILL - On a recent sunny Saturday afternoon, the Ballet School of Chapel Hill is alive with activity as young dancers carrying tap shoes talk and laugh as they bound upstairs to Studio C. The members of the globe-trotting North Carolina Youth Tap Ensemble are heading for another energetic rehearsal. Studio C is where the hard work happens, the work that has made NCYTE (pronounced "insight") a youth dance ensemble of international renown.
The group practices every week from September through April. Recently NYCTE has been rehearsing for its season finale, "Good Vibrations," set to be performed this weekend at Durham's Carolina Theatre.
The company, directed by founder and artistic director Gene Medler, includes 36 dancers ranging in age from 8 to 18.
Luke Hickey, 12, has been a member of the dance company for five years.
"I saw the show 'STOMP' when I was six and told my parents I had to learn how to tap," he said.
When Luke hits the dance floor, his face glows and his feet fly.
"It's the best feeling," he said. "I'm always dancing, and in the grocery store I'll hear something on the radio and start tapping and people just stare. Once you start you can't stop."
His younger sister Amanda and older brother Sam also tap in NCYTE. The ensemble features some of the finest young dancers in North Carolina.
Medler has devoted himself to the ensemble since founding it in 1983. NCYTE has given performances in Austria, Brazil, Canada, China, Finland, Germany and Mexico.
"The company is like my extended family," he said. "Dancers will come in here at seven or eight years old, and I'll see them for the next 10 years."
Medler is a calming presence. As Studio C fills with dancers bursting with noise, he sits quietly by the sound system observing.
The more experienced dancers mentor the younger ones. Medler himself rarely wears his tap shoes during NCYTE rehearsal. As much as possible, he wants his young dancers to work things out for themselves.
Elizabeth Burke, 16, has been with NCYTE for 10 years. She started tapping at age 6 and now helps guide the younger dancers.
"Gene is amazing to work with," she said. "He is so calm, and with all of us hormonal teens. He really is patient. We have our moments where we'll get annoyed and storm out of the room, but Gene just takes it all in stride."
Michele Lynn, whose son, Kyle McConaughey, 12, is in his first year with the dance company, says Medler's devotion inspires the kids.
"NCYTE is considered one of, if not the best youth tap companies in the country," she said. "Gene teaches the kids not only how to be incredible tap dancers but, just as important, he helps them learn how to work together, present themselves professionally and learn to lead and take responsibility."
Medler did not begin tapping until his late 20s. He was athletic, a fencer at UNC, but when he took some tap classes, something clicked. Eventually he hit upon the idea of launching a small dance studio.
"I had no idea it would be the career path it has been," he said. "Initially I started out with five boys and five girls. We were like a bad garage band that just said, 'Let's do it,' and had our first show."
Over time, that little group grew into NCYTE.
Medler's star alumni include Michelle Dorrance, who is in the New York company of "STOMP" and will perform in the "Good Vibrations" program. The performance will feature styles including Gumboot, sand dancing, buck and body percussion. The show is like "STOMP," "Riverdance," vaudeville, Fred Astaire and "Bring in Da' Noise, Bring in Da' Funk" all on one stage.
Back at Studio C, Medler watches the rehearsal with an unwavering focus. Midway through, when the dancers start to flag, he stops the music.
"Have fun, and let the audience know it," he says. "Cut loose and get down; even if you don't hit that particular step, the audience won't know if you're smiling and having a great time."
Just like that, the tension of trying to perfect steps and rhythms dissipates. The dancers laugh, Medler changes the music, and the room fills with a staccato "tap-tap-tap."
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| Rebekah L. Cowell |
Young dancing wizards on tap |
DURHAM -- Over the last 14 months, Gene Medler's North Carolina Youth Tap Ensemble has brought rhythm to Beijing, China; Stuttgart, Germany; Puebla, Mexico; and Vancouver, Canada. Based at the Ballet School of Chapel Hill, the 26-year-old NCYTE has put North Carolina on a par with Chicago and New York for cutting-edge tap. |
| Rebecca Bailey |
Torrance Arts Ray Solley Raves |
They came. They tapped. They conquered. |
| Ray Solley |
The Stage Whisperer NCYTE Review |
What You Missed and What You Are Going To Miss |
Please check back soon for Good Vibrations's tour schedule.
Artist's Team
Publicity Info |
| Gene Medler |
| Good Vibrations c/o NCYTE |
| 919-967-9624 |
| ncyte@mindspring.com |
| Website |
